Well, at least I recognized on Thursday that I needed to take Friday off and spend the entire weekend recuperating if I was going to be ready to go back to work on Monday. My reward for that prescience is, of course, that I get to go back to work on Monday. I’m not sure I thought this through properly. Anyway, a weekend of doing nothing but eating delicious chicken soup (thank you, Nicole), resting, relaxing, and reading gave me a chance to spend some quality time with Warren Ellis’ Gun Machine. I’ll be the first to admit that I enjoy reading almost anything Ellis writes*. He gets a lot of attention for just how twisted his imagination can be, but his craftsmanship as a writer is, if anything, more impressive. Gun Machine is lean and fast-moving and never anything approaching boring. Oh sure, it’s twisted, but compared to his first novel, Crooked Little Vein? Pffft. Anyway, it’s a terrific read and now I just have to twiddle my thumbs until he writes another one. Not much else to report from the last few days. One nice thing about whatever bug it is I’m incubating: It’s helping my diet. I’d rather be well, but there are worse side effects I suppose. * Those early Excaliburs might be the only exceptions.
Author: Ridley
My Week Of Living Indisposedly
A gentleman I once worked for said that the way he determined if he was sick enough to miss work was to ask himself “Would I rather be at the office feeling well, or here feeling sick?” If the answer is “at work,” then you’re sick enough to stay home. I don’t know if he was a fan of Catch-22 or not, but it seems pretty safe assumption. That’s a roundabout way of saying that I really ought to have stayed home sick the last couple of days. I’m not certain exactly what sort of crud I have. I just feel all-around lousy, with no energy, dry mouth, sore muscles, and burning eyes. That last one is a killer since reading, writing, and working all involve staring at a screen. Bother. On the plus side, take a look at the picture at the top of the screen. Nice, eh? We set out to do a little hiking at a popular park nearby and found the place packed. Well, we assume it was packed. We were turned away at the gate. So, we went a little further down the road and stopped at a park neither of us had ever heard of it. It wasn’t an especially large park, but it was pretty and the hiking was a little more rugged than the other place would have offered. The park center was in a nondescript patch of prairie, but there were trails leading down the side of a box canyon to a miniature grotto. In a very short distance we went from tall grasses, scrubby trees, and utterly dry air, to cool, humid trails with ferns on all sides. I don’t think this is worthy of making a generalization about accidents working out for the best, but it’s pretty great when they do. Here’s hoping for a nice, peaceful weekend and a little recovery time. P.S. We are still not ready to talk about soccer/football at this time.
Every Man Builds A World In His Image
Here’s what I came up with for the Terribleminds.com Flash Fiction Challenge: The Subgenre Tango. It’s kind of “military sci-fi,” but it’s very much not at the same time, and the mythology aspect of it is very modern and very obvious. It’s not my best work, but it does have the virtue of being genuinely “flash” in that I wrote it in one sitting and it’s actually under the assigned word count for a change. I was in a bad mood when I wrote this one. ————————————————— Sergey M’tume’s tour of duty in Zone M was less than a week from complete when the distress call came in. If things had just stayed quiet for another seven standard days, he’d have entered the entangler/detangler device, watched the think suck a hellish amount of power from God knows what source, maybe geothermal but probably a pair of nuclear fission reactors, and wake up the next morning next to a similar EDD close enough to one of Earth’s Lagrange points to start thinking about being home with his family. Sergey M’tume really, really wanted to be home with his family. Tours were long because, although long distances could be traversed at speeds that still felt magical to Corporal M’tume, the energy costs were so high that they were largely restricted to military usage and even then, they were used judiciously. A common joke among troops was that every time they were deployed, you could see the sun grow dimmer. M’tume was, of course, the only troop in the area. Early warriors used weapons which would require to several blows to incapacitate a single opponent. By the twentieth century, it was possible for an individual to carry a device which would reduce a city to rubble. The continuation of this trend meant that Corporal M’tume had at his disposal the capability to wipe out all life on a planet if he needed to. Several times, in fact, although you had to have a seriously twisted imagination to think of reasons why you’d ever need that kind of ordinance. The signal came from Dalt 3. “Of course it did,” thought M’tume. Getting a call this late into your rotation was bad enough, but the folks on Dalt would only ask for help when things got really bad. Don Dalt was a legendary individualist, rugged and charismatic. When the overcrowding on Earth finally reached the point where borders became unenforceable and people had to live face to face with their neighbors. Dalt bristled at having to restrict himself in any way, feeling it was a moral failing to submit in any ways to the will of a “society.” Dalt and like minded unique individualists, fed up with accommodating proximity to other people, packed up and left. The Daltian exodus was unique in human history. Instead of rag tag refugees carrying whatever possessions they had on their backs, these were some of the wealthiest individuals on the planet. They had connections, both civil and military, which allowed them to bring a substantial portion of their goods with them. Recent surveys had found an Earthlike world in a system which didn’t even have a proper name yet. The Earth government spent a small fortune setting up an EDD station nearby. Dalt and his crew claimed the planet, which would become known as Dalt 3, and sailed their enormous yachts to the Lagrange EDD station. No one is certain how they received clearance to move so many massive vessels. The energy cost would have bankrupted even men as wealthy as Dalt. Rumor had it that they’d managed a subsidy from the Earth government, but this was never proven. They’d been the best, the brightest, and certainly the most confident individuals on the planet. They were leaving behind a world that did not appreciate their contributions. When they left, both the standard of living and productivity of the planet spiked in a way which was hard to explain, but Dalt and his people suspected that the government was cooking the books. What else could it be? Corporal M’tume’s ship suddenly started picking up….he wasn’t sure exactly what. There was signal, but there was so much noise that he was reasonably sure his vessel didn’t have the ability to pick out any specific communications. He frowned. He had no great love for the people of Dalt 3, who complained about the presence of even a single troop in their sector, but the electromagnetic cacophony M’tume was receiving boded very, very ill for the Daltians. Dalt 3 was a marvelous beautiful world. The surface was approximately ninety percent water, but the land poking out of the seas was uniformly magnificent. The terrain was rugged, mountainous, lush, green, and warm year round. The large amounts of ocean allowed the Daltians to keep a good distance from each other. No doubt this was a good thing as the Daltians were fanatical about their individualism and protected it fiercely. Weapons which had been outlawed on the surface of the Earth, similar to some of the ones carried by Sergey M’tume and his ship, were commonplace on Dalt 3. Most Daltians would look at your suspiciously if you didn’t have one with you. Of course, most Daltians would look at you suspiciously anyway. As Corporal M’tume began the long process of matching orbits with Dalt 3, he finally was able to get some definition on his telescope. The early images had been fuzzy and out of focus. Sergey pulled a stock image of the planet up and compared the new visuals he was getting. There was no more green on Dalt 3. There were no ships in orbit. There were no cities. There were no buildings. Corporal M’tume suddenly became conscious of the complete lack of anything resembling communications on any band. Later, in his report, he would say that he was overcome with grief at the realization that Dalt 3 was now completely free of human life or, as surveyors would later learn, all life of any sort. In truth, his next thought was “How the hell am I going to write a report on this?” Over the next three days, Corporal M’tume deployed all of his communications buoys in low orbit and took as much detailed footage of the surface as he could. Dalt 3 was now a world…
All About Seveneves
Before we get started, let me tell you a story: Years and years ago, I bought a used copy of Larry Niven’s short story collection A Hole In Space because I bought absolutely every Larry Niven short story collection I could find. Niven is probably best known as a novelist, but his short stories are his best work. He has a gift for taking a single, weird idea and turning it into a compelling story. Only Warren Ellis, among contemporary writers, is his match in this regard. Anyway, there’s a story in that collection called “Rammer.” I won’t give away any details, but it’s a nifty mystery involving two kinds of (sort of) time travel, Bussard ramjets, and totalitarianism. What I didn’t know at the time was that it was “Rammer” was the first chapter of Niven’s novel A World Out Of Time. What I also didn’t know was that the first chapter was almost completely unrelated to the rest of the novel. There was a massive time shift and suddenly, instead of being science fiction, it read much more like a fantasy novel in a space setting. It wasn’t bad but it was jarring, as though two different stories had been awkwardly spliced together. If you’ve read Seveneves, you know why I’m telling you this story. The structure of the book, to me at least, was jarring to the point where it took me out of the story. It’s either a novel and a half-novel, or two sets of two short novels, with the second set missing it’s final piece. I’ll keep the spoilers to a minimum here. The first two sections of the book concern a disaster which renders the Earth uninhabitable and how humanity tries to preserve the species by taking to space and then what happens once they get there. The story zips along, the science is interesting, and the characters are well-drawn and interesting (if not always sympathetic). These sections would have made a terrific novel on their own. The final chapter of the second section, however, is a jarring change of pace. There’s no subtlety to the way it sets up the next part. It’s necessary, I suppose, but it is so very out of place with the rest of the book to that point that it not only takes you out of the narrative, it makes you a little apprehensive about what’s coming. And by “you,” I mean me. And by “apprehensive,” I don’t mean it in a good way. The third section is section skips ahead five thousand years. For perspective, five thousand years before today would be the start of the Mayan calendar, or the beginning of the Kish dynasty in Mesopotamia. We’re talking about a span from the Bronze Age to today. I harp on this because the changes at the end of the second section of the book are still very much in evidence and, in fact, the central paradigm of the third section. Is that reasonable? It didn’t seem reasonable to me. Every time a character behaved a certain way because that’s how people of their race behaved, it grated. I understand that Stephenson is writing about societies which were created in a certain image as opposed to just evolving organically, but five thousand years is a very long time for racial traits to remain that distinct in all members of the race. The story in the final section is fascinating, although the reveals aren’t especially surprising. It does end on a note which doesn’t feel especially like an “end,” so I wouldn’t be surprised if Stephenson returned to this story at a later date. Therein lies my problem with the structure. The second section of the book was extremely similar in tone to the first. They’re either a single book, or a short book and a sequel. The third section is wildly different than the first two and it feels incomplete, like there was meant to be a fourth. I’m probably harping on that more than I should. Seveneves is a page turner, and that’s a heck of a trick for hard science fiction. I learned more about orbital mechanics and whips than I ever expected to know, but the lengthy explanations never broke the narrative flow. I felt strongly about the main characters and genuinely wanted to throttle one of them. I strongly recommend it, flaws and all.
Eight Miles
Less than ten miles from the center of the city (thank you, Google Maps), there are canyons and waterfalls and primitive hiking trails. It’s 80 degrees outside in January. We’ve been hitting the gym pretty hard this month and felt like it’d be nice to get out and about. It was very nice to get out and about. There were times when we couldn’t hear any other people or see any sign of human activity. It’s a little surreal to be that close to such a large city and be completely isolated. It’s one of the things I love about this place. The people around here see value in preserving spaces like this. I value of the land the park is on is so great that I literally can’t imagine what it would be, but completely undeveloped and free to the public. Eight miles isn’t very far to have to go to feel like you’re someplace else entirely. ————————————————- The last two stories represented the two extremes of working with writing prompts. The first one never really clicked with me and it was a struggle every step of the way. The second produced a novel’s worth of ideas and, even when I cut most of them out of the story, it wouldn’t fit in a one-thousand word box. I tried some silly stuff that I wouldn’t use in a “real” story with both of them. The first was entirely without dialog. I love writing dialog and I lean on it to an unhealthy degree. The other one was always going to be too big for the space, so I cheated a little by treating it as an “internet-only” story, using hyperlinks to explain things rather than laying it out in the text, and playing with the formatting a little.
The Hero Will Not Be Automated
This one’s a response to Chuck Wendig’s Flash Fiction Challenge: Ten More Titles over on Terribleminds.Com. If this challenge seems similar to last week’s, that’s due to the fact that Mr. Wendig got a little lazy. Fortunately, the titles we were given this time around were spectacular. This story’s a little…different. Enjoy? 1 September, 2019 Greetings students of the Newman-Phillips school, We are pleased to inform you that, as a result of your completion of your coursework at the school, you have been selected to participate in a project which will surely seem so incredible to you as to appear impossible. You are going to be a time-travelers. While this will be a great adventure, perhaps the greatest experienced by any human, we must be blunt: Your journey has a purpose, and it is not one to be taken lightly. The future is broken. In a time between yours and ours, humanity lost their way. They ceased to be the masters of their own fate. They very nearly ceased. They may yet. We have selected you so that you might arouse your species, our species, and steer them clear of the disaster ahead. Here is what will happen: This evening, you will meet in the gymnasium cavern. It is being equipped with beds, terminals, and enough food and supplies to survive your journey. You will go to sleep tonight and when you awaken, ten years will have passed. You will be administered drugs to ensure you sleep. We have not tested the effects of time travel on a waking mind, but the results of our simulations are disturbing. You will not want to be awake. The device which will allow you traverse will require time, perhaps a week, to recharge. When it has recharged, you will go to sleep again and make another jump of ten years. You will repeat this process several times until you arrive at the critical time, prior to the beginning of troubles. We have tried to anticipate your concerns. Here are the answers to some of the questions we presume you will have: 1. The machine is a small gravity wave generator. It is not ideal, but we were limited by how much information we could send to your time and what resources were available. 2. We can send matter, and even living beings forward in time, but only information can travel to the past. Otherwise, we would have been equipped to solve the problem ourselves. 3. You can use your waking hours to learn about the current time period, but you will not be able to leave the cavern. We cannot afford the possibility that any of you might be abducted or otherwise unable to continue your journey. You are all of enormous importance. We will attempt to provide additional information as is possible. However… 4. Time travel is an imperfect activity under the best of circumstances. These are not the best of circumstances. Your jumps may not all be exactly ten years in length and you may under- or over-shoot the expected time of arrival. You are the brightest minds of your generation. We trust you to improvise. 5. When you arrive, you will not only be able to leave the gym cavern, but you will also be able to leave the complex. It will be terrifying, but we know that if anyone can adapt, it is you. Again, we trust you. 6. We have located a small network of people living near the time period when we expect you to complete your journey. You will be provided information about them during your waking periods. They will help you acclimate to the new world. They will assist you in any way possible. They will be your most valuable resource. Use them well. This opportunity will not be extended to any others. The cost in time, effort, and most especially resources to coordinate this effort in our distant past is immense. We teeter on a very fine edge between success and failure. Success would restore humanity to it’s rightful role. Failure would mean oblivion. We understand that this must sound insane. It is insane. It is the last throw of the dice and, in such circumstances, one does not always have the luxury of consulting the odds. We deeply regret having pulled you in to this without your consent. We know this is a long shot, but understand that you exist in the blind spot of what humanity is up against. They’ll never see you coming. You can do this. We love you. We believe in you. Good luck, The Future Shit,” Carl said to himself, waking up at his desk for the third time this week. He shook his head, trying to clear it, and felt articulate enough to elaborate on his initial reaction. “Shit shit shit shit shit shit.” 2039 was just starting to come online, right on schedule, and, while Carl had made all of the tweaks he’d planned on making, it didn’t feel finished. He was a stickler for details, but he had to keep reminding himself that he was comparing his work to his own experience, something the students couldn’t do. In the early 2000’s, with the rise of the internet, it became possible to access an unprecedented fraction of human activity. Shortly thereafter, it became possible to make a backup of what was essentially the entire network. In theory, one could then restore the whole thing and experience the internet as of a certain date in the past. In a sense, the hard part was over. Running the students through the most of the first two decades of the century offered the most opportunities to fuck up the continuity, to give the kids a chance to bump up against the walls of their garden. If they’d made it this far, the rest should be easy. They’d only be spending a week in 2039 while “the tunnel machine recharged” and they’d spend most of that seriously disoriented. People had been anticipating the singularity long before it actually happened, but they’d gotten it almost comically wrong. Most people assumed it would be started by an artificial intelligence which made the leap to self-awareness, growing in all ways imaginable at incredible speed, outstripping the human ability to react. What actually happened was so much more mundane, so much more ridiculous, people…
What I’m reading/What I’m doing
I’m a little past the halfway point through Neal Stephenson’s Seveneves as of this morning, and I’m baffled by the criticisms of this book claiming that Stephenson’s characters aren’t engaging. I’m not going to give anything away, but I’m enjoying the book tremendously and the characters are a big part of it. There are some I like, some I love, and a few I’d like to see come to very bad ends. In some of his more baroque novels, I understand that Stephenson’s writing can get a little dry, but for my money, this is his most readable novel since Snow Crash. This is the third apocalypse novel which is kind of odd since I’m not seeking them out. I’m making an effort to keep the reading list out of ruts, but there are a few must-reads for this coming year which are going to inevitably land me in a certain genre for much of the year. I need to pick up William Gibson’s The Peripheral and Warren Ellis’ Gun Machine (yes, I know, I’m a little behind) as well as something by Stross and Scalzi. It pleases me to see so many writers I’ve follow since their early works doing so well. Gibson, Ellis, Stephenson, Bruce Sterling, and Neil Gaiman all take up acres of space on my book shelves. I’m glad they’re successful, and I hope their success has brought them some happiness. They’ve earned it. I was up until the wee hours this morning working on a flash fiction prompt. It was such a great prompt that I’d decided I was going to ignore the 1,000 word limit. By the time I turned out the light, I was a little more than 4,000 words in and less than halfway done. Oops. The good news is that I’ve got a ton of salvagable ideas that I’m going to save for later. They need needed a bigger space in which to play anyway. The bad news is that the whole thing is going to have to be re-written from scratch for the prompt, so I know what I’m doing this evening.* Anyway, the lateness of the evening made going to the gym this morning less exciting than it normally is. Fortunately, my mix finally got around to The Futureheads’ “The Beginning of the Twist.” The Futureheads (rightly, in my opinion) got a great deal of attention for their debut album which featured a spectacular cover of Kate Bush’s “Hound of Love.” Their third album (not quite as rightly) didn’t get anywhere near as much notice, but it still had some marvelous songs. “The Beginning of the Twist” is a post-punk masterpiece, a little more mature but not less energentic than anything on the debut. Feel free to gank this and add it to your workout mix: *If you’re reading this and you’re going to be with me tonight, sorry, but it won’t take very long. Also, “Hi Nicole!”
Muddy Stars
This is a response to the writing prompt Flash Fiction Challenge: Choose Your Title And Write on Chuck Wendig’s Terribleminds blog. —————————————– Edison always got out of bed when Derek’s alarm went off even though his husband inevitably hit the snooze at least twice. Having spent the first thirty years of his life only seeing a sunrise when the party went a little late, Edison was now a born-again morning person. It was a source of pride to him to get up before Derek, even though it was Derek who had a ninety minute commute ahead of him. Getting up early let Edison get the coffee started. Even though they owned a machine which would grind and make the coffee at a set time, Edison insisted that the machine’s version of coffee didn’t do justice to the beans they had flown in from the Caribbean, so he ground them himself in a spice mill and put the water to pour over the grounds on the stove. It pleased Edison whenever Derek told him how good the coffee was that Derek always made an effort to mention it. When Derek left for work, Edison gave him a quick, but not at all rote, kiss. Now alone, he changed into his cycling clothes. Early morning, just as the sun came up, was his favorite time to get on the bike and get his workout in. His morning rides gave his tall, slender frame a tautness that nearly countered the less-careful years of his youth. As such, he looked good for his age, but he didn’t look young for it. He timed his rides so that he would get home shortly before Derek arrived at his office. Edison asked Derek to call when he got to work, just to make sure the trip was a safe one. Even though a text would have served the same purpose, they always spoke, even if just briefly. It was going to be a long day for Derek. He was a vice president at a company which expanded and contracted with regularity. Today, Derek would meet with a client whose continued business was required to avoid a contraction and the layoffs that went with it. The outcome of the meeting was far from certain. It was a wonder that Derek could sleep at all. Some night he didn’t. Edison showered, regarded the thinning peninsula of jet black hair in the center of his scalp with the eyes of an executioner who was trying to decide “when,” not “if.” He decided “not yet.” Still in his bathrobe, he went upstairs and locked himself in to his studio. Edison and Derek lived in one of those modern homes built on a lot too small to contain it. There were no curves in the design, just blocks stacked up blocks. The third story, a loft which was probably meant to be a bedroom, was where Edison made his films. Edison came to film making relatively late in life. He’d always wanted to do it, but to do it right, the way he wanted to do it, it took time and money. He was working for a marketing firm when he and Derek met. It wasn’t precisely love at first sight, as the two of them were strong personalities who had little tolerance for drama. Their courtship had some of the characteristics of a negotiation, but however they got there, they arrived in a place of almost cloyingly romantic devotion. Derek wanted to give Edison what he’d always wanted the most, so Edison resigned from the firm and started working on his studio. The next step in Edison’s routine, and a routine it was, was to put on some instrumental music to put him in the right mood. He checked his mail, skimming past the usual spam and not-quite-spam-but-not-worth-reading messages. The only message was from Sharon, one of his oldest and best friends, and one of the few people Edison regarded as a peer. Sharon was checking in to make sure they were still on for lunch today. Sharon possessed apparently limitless resources, surprising amounts of free time for someone who held a full time job, and a taste for bleeding-edge technology. The fact that she’d sent an email was a concession to Edison’s preferences which Sharon regarded as kind of quaint. Now that the lunch plans were firmed up, Edison had only a few hours to kill, not nearly enough to do any serious work. It was, however, just enough time to check out the Moroccan film he found last week, mis-categorized, in an obscure corner of Amazon. A big part of making films was seeing as many, from as many sources, as possible. Most weeks, he saw as many as eight, sometimes ten movies. It was time-consuming, but Edison felt it was a critical part of the job. This one struck Edison as a competent re-telling of the Walter Mitty story, but with better music. The lunch was at a place within walking distance of Edison’s house. The movie ran a little long, so Sharon had already been there for fifteen minutes before Edison arrived. He’d ordered drinks for both of them. The restaurant was famous for two things: Having the best sausage supplier in town, and having access to rum of the sort that a little neighborhood restaurant shouldn’t be expected to have. Neither Sharon nor Edison ever missed out on sampling at both. Sharon waved to Edison, who had already seen her since she was the only other customer in the restaurant at 11:15. Not that it was difficult to pick Sharon out in a crowd. Sharon looked more like Sharon than anyone else on the planet. She wore her hair, and had always worn her hare, in a page boy cut which had probably been in style when she was twelve. She was very slightly cross-eyed, and she wore thick glasses a little too big for her face. Somehow, no matter what she wore, she looked like she was dressed “business casual,” even when she wasn’t. Sharon painted whenever she wasn’t working or having drinks with Edison’s circle of friend. She was good, too. Not terribly original, but her work was too good to be explained by having all the best supplies available to her. If she’d had lessons, and she…
I Learned Something About Earl Grey Tea
I was drinking the stuff long before Jean-Luc Picard ever said “Tea, Earl Grey, Hot.”* The name is so posh-sounding and the flavor is so very…well, so very what, exactly? I’d always assumed that the unique flavor had something to do with the “oil of bergamot.” It had never occurred to me wonder “Just what is a ‘bergamot’?” The taste was so odd and unique, it didn’t taste like anything else so I never had a mental image of what a bergamot would look like. That all changed last week. Our favorite local grocer is having a citrus event, and at the very top of the pyramid of unusual fruits was a giant, lemon-looking thing labelled “bergamot.” Eureka! You might not have guessed it from the flavor of the tea, but the bergamot is an orange that looks like a lemon and tastes like…what? We had to buy one. In the interest of science (and by ‘science’ I mean ‘satisfying our curiosity’) we cut it into slices and ate them They tasted like lemons with the intense flavor of, you guessed it, Earl Grey tea. I really can’t overstate the intensity. The fruit and especially the peel tasted almost like perfume. There’s something surreal about eating something that looks like one thing and tastes like another entirely. I experienced a little of that the first time I prepared jicama at home, but that was nothing compared to the bergamot. It tastes almost “old-timey,” if that makes sense. I’m tickled that we live in a place where we can just go down the street and get all the bergamots we want. I’ll wager there are some good recipes which take advantage of the bergamot, but off the top of my head, I can’t think of how I’d use it in cooking. It was just too much on it’s own. -RK * He was born in 2305, after all, so this isn’t really saying much.
Leopold Scotch and the Hugo Awards
We watched the most literary of South Park episodes the other night, “The Tale of Scrotie McBoogerballs.” There’s a riff near the end where critics are fighting about whether or not Butters’ second novel, “The Poop That Took A Pee,” expressed a radically liberal or wildly conservative vision, the joke being that it was neither and the critics were imposing their own beliefs on Butters’ story. South Park gets their cultural satire right more often than not, but this gag didn’t work for me because it didn’t ring true. I can’t, off the top of my head, think of many cases where a work of art was attributed to both extremes of the political spectrum. What I do see is people* regarding works which agree with their own views as “apolitical” and works with a different worldview as “overtly political.” That’s my working theory: A liberal can read a book with liberal overtones and not feel that the book is political at all, whereas if they read a book with a conservative point of view, they’ll see politics throughout the work and it works the other way around as well. Viewed in this light, the controversy over the Hugo awards and the Sad and Rabid Puppies movements makes a little more sense to me. It explains why, when protesting against awards going to works for their politics rather than for being just good, fun science fiction, the Puppy slates struck me as overtly political. The Puppies saw their slates at free of political sermonizing since they tended to share the stories’ worldviews. My own political views are on the left side of the spectrum, so the point of view of the Puppies’ stories stuck out to me. That probably seems obvious, but it took me a while to get to it. My initial reaction, when reading my Hugo voter’s packet last year, was to think that the Puppies were being disingenuous when their slates were filled with works which made such strong political statements. Now, I’m more inclined to think it was a lack of awareness of one’s blind spots. It wouldn’t make any difference in my voting last year**, but I will keep this theory in mind when filling out my ballot this year. For what it’s worth, I can’t imagine wanting stories without a point of view. Without some subjectivity in the writing, you wind up with either dry reportage of events or random gobbledygook. I want the artist to have a point of view because otherwise, why bother? Just make sure to make it interesting art while you’re at it. * Including yours truly. I am by almost any measure a “people.” ** Slates. Gaming the system. Don’t do it. Please, just don’t.